Guided by the 2022 global art market analysis from Art Basel and UBS, here is a breakdown of some of this year’s major happenings in the art market in relation to African artists.
From making doodles on the wall to crafting art with cardboard as a child, Obatuyi’s practice is a laborious one.
Nomadic Art Gallery is pleased to present the exhibition, Transtemporal Travel – a group show that plays on the relationship between human behaviour and time. Transtemporal travel refers to the concept of traveling through time to visit different periods in history or the future. The idea raises questions about the
Otherscapes proposes surveying the scene of contemporary South Africa through the artistic practices of four contemporary South African artists whose installations can be viewed as ‘scapes’. These address a local context by interrogating the tension between utopia and failure. Four contemporary South African artists: Siemon Allen, Wim Botha, Sethembile Msezane and
First major UK solo exhibition of new and recent works by Lagos-based artist Nengi Omuku, exploring her profound relationship with the natural world. Displaying more than ten pieces, the show spans five of Hastings Contemporary’s eight galleries, and includes works made between 2021 and 2023 that explore Omuku’s love of
Mirroring their philosophical, sociopolitical, and spiritual connections to their home countries, African artists have long reshaped the fashion industry through wearable art.
Olasunkanmi Akomolehin sat down with Omenai to have a conversation about what inspires his art, the wonder that goes into his practice, and the emotions he conveys in his work.
Regardless of the brewing questions of direction, the first and most important thing to do in a gallery is to look at the art.
Against the backdrop of persistent violence against queer and BIPOC communities, it is important to celebrate queer joy with fierceness and newness. More than just a keen observer of their immediate (and physical) world, South African-based artist Mercy Thokozane Minah creates work that is insistent and persistent about tenderness.
Featuring a new, panoramic collage made from hand-stitched silk, the exhibition challenges the historical stereotypes used to objectify and exploit Black women. Zangewa’s autobiographical yet universal work contrasts melancholy with hope, strength with disdain, and independence with prejudice. As well as a new commission made especially for the exhibition, also
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