Against the backdrop of persistent violence against queer and BIPOC communities, it is important to celebrate queer joy with fierceness and newness. More than just a keen observer of their immediate (and physical) world, South African-based artist Mercy Thokozane Minah creates work that is insistent and persistent about tenderness.
Emmanuel Awuni has titled his solo show with Copperfield after Maya Angelou’s autobiography, ‘I know why the caged bird sings.’ Like Angelou, Awuni is a poet. His first notes on the exhibition are in the form of lyrics or poetry. Angelou was known for her resistance and her realisation
Baltic Centre For Contemporary Art presents the first major solo exhibition by British-Ghanaian artist Larry Achiampong. Working in film, sculpture, installation, sound, collage, music and performance, Achiampong draws on his shared and personal heritage to explore class, gender, the intersection between popular culture and the residues of colonisation. His work
Eric Gyamfi transforms the gallery into a monochromatic cosmos, examining how photography can shift meanings and histories – ‘fixing shadows’ of legacy, absence, and revival. Six thousand cyanotype prints densely cover the gallery walls in the first UK solo exhibition of the artist’s work. In each one, Gyamfi blends
‘Nzulu Yemfihlakalo’ is a fresh collection of oil paintings by South African artist Cinga Samson, which is proudly on display at White Cube Mason’s Yard. Dreamlike large-scale tableaux and portraits draw from his environment and metaphysical concerns, prompting the viewer to confront the epistemological boundaries of our collective understanding. The title
‘Eastern Voices: Contemporary Artists from East Africa’ is a group show featuring eighteen artists from Ethiopia, Kenya, Egypt, Uganda, Eritrea, and Sudan. This survey exhibition aims to foster dialogues and highlight synergies between artists and galleries working in East Africa today. Exhibiting artists include Yasmeen Abdullah, Ermias Ekube, Adiskidan Ambaye,
Featuring a new, panoramic collage made from hand-stitched silk, the exhibition challenges the historical stereotypes used to objectify and exploit Black women. Zangewa’s autobiographical yet universal work contrasts melancholy with hope, strength with disdain, and independence with prejudice. As well as a new commission made especially for the exhibition, also
The artwork ‘Portrait of an elegant lady’ is all about perspective. It is a portrait of a dark-skinned woman caught in pleasure. Only the artist truly knows her history. Like everyone living in the public eye, we are allowed our speculations.
In her portrayal of the female body, Mobolaji Ogunrosoye has perfected her manipulation of photography and collage. Through her process of distorting the photographs of her subjects, the Nigerian conceptual artist investigates her ideas of perception.
No Twilight Too Mighty presents a selection of over 70 paintings and charcoal drawings from Lynette Yiadom-Boakye 2020 to 2023 on display for the first time at the Guggenheim Museum. The exhibition thus provides a rich opportunity to observe the continuum in the artist’s practice of creating evocative paintings that relate
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