Category: Editorial

The Interconnectedness of Nature in Aliou Diack’s New Work at space Un in Japan

Displaying a profound sense of rootedness and connectivity, Senegalese artist Aliou Diack is drawing up the multiple connections between his art and the earth. His practice invites viewers to ponder the subtle threads that bind humanity to the natural world and illuminates the profound symbiosis that defines our existence. Diack’s

Sabo Kpade is Bringing Compelling Curatorial Ideas to Full Flowering in the African Art Scene

Focusing on Black diaspora art, Sabo Kpade is pushing the boundaries of contemporary art by creating immersive experiences that challenge traditional boundaries and start thought-provoking conversations. Inspired by Okwui Enwezor’s work as a thinker and curator, Kpade’s multifaceted approach in his curatorial practice is rooted in collaboration and intellectual inquiry.

New Galleries Showing African Art in the Diaspora

In the last 3-4 years, more collectors and investors of African art have started galleries dedicated to contemporary African art on the continent and in the diaspora. This is an important move for the art market as it is a way to invest in African artists and promote them in

The Life and Sculptural Practice of Reuben Ugbine

With over two decades of carving and sculpting, the late contemporary artist Reuben Ugbine explored the human body, using wood, terracotta, and metal railings. He was as dexterous in his manifestation and translation of human experiences in his sculptures as he was a master storyteller.  Reuben Ugbine (1956 – 2021)

The Importance of Art Residencies for African Artists

Artists are always on the lookout for new ways to explore new ideas and perspectives or fine-tune their craftsmanship and art residencies provide the best opportunities to achieve some of their artistic goals. 

Dimensionality as a Medium: In Conversation with Lebohang Kganye

In Lebohang Kangye’s multiple explorations of memory and history, she moves from a literal translation of her familial and interpersonal history using sculptural, performative, theatrical, and moving images to a more conceptual approach as she experiments with dimensionality.